Wednesday, May 18, 2011
Tuesday, November 2, 2010
Sunday, August 8, 2010
Monday, July 26, 2010
Stunning Peonies
Friday, June 11, 2010
Tuesday, June 8, 2010
Thursday, June 3, 2010
Cowmooflage
Friday, May 28, 2010
Our New Wheels
Friday, May 21, 2010
Look What I Saw!
Monday, May 10, 2010
Thursday, May 6, 2010
The beauty of O.P.I

- Comet Loves Cupid
- All A-bordeaux the Sled
- Holiday Glow
- Shim-merry Chic
- Lincoln Park After Dark
- Sit Under the Apple Tree
- Play till Midnight
- Rosy Mistletoe-sies
- Suzi Loves Sydney
- Didgeridoo Your Nails?
- Don't Melbourne The Toast
Wednesday, May 5, 2010
Monday, May 3, 2010
Thursday, January 28, 2010
New Love
Wednesday, December 30, 2009
Saturday, September 26, 2009
To Drench in Trench
Friday, August 21, 2009
P is for Puffs

Thursday, July 16, 2009
Wednesday, July 1, 2009
Wednesday, April 29, 2009
My Favourite Painting - Terrasse du café le soir, Place du forum, Arles

Cafe Terrace at Night, also known as The Cafe Terrace on the Place du Forum, is an oil painting executed by the Dutch artist Vincent Willem van Gogh on an industrially primed canvas of size 25 (Toile de 25 figure) in Arles, France, mid September 1888. The painting is not signed, but described and mentioned by the artist in his letters on various occasions - and, as well, there is a large pen drawing of the composition which originates from the artist's estate.
After finishing Cafe Terrace at Night, Van Gogh wrote a letter to his sister expressing his enthusiasm:
“ I was only interrupted by my work on a new painting representing the exterior of a night café . On the terrace there are small figures of people drinking. An immense yellow lantern illuminates the terrace, the facade, the side walk and even casts light on the paving stones of the road which take a pinkish violet tone. The gables of the houses, like a fading road below a blue sky studded with stars, are dark blue or violet with a green tree. Here you have a night painting without black, with nothing but beautiful blue and violet and green and in this surrounding the illuminated area colours itself sulfur pale yellow and citron green. It amuses me enormously to paint the night right on the spot. Normally, one draws and paints the painting during the daytime after the sketch. But I like to paint the thing immediately. It is true that in the darkness I can take a blue for a green, a blue lilac for a pink lilac, since it is hard to distinguish the quality of the tone. But it is the only way to get away from our conventional night with poor pale whitish light, while even a simple candle already provides us with the richest of yellows and oranges. ”






























